The sign on the road outside Kilkenny mentions a “solemn novena”.
One can only assume the people involved are highlighting the “solemn” aspect because they don't want to attract the rowdy novena crowd - A dangerous bunch by all accounts. Some of our older readers will no doubt remember the Rosary Riots of ’72 when the town of Thurles was ransacked, over nine solid nights, by marauding bands of Novenistas, armed and well-orchestrated.
Over the past decade, Kilkenny city has become a major novena destination. Friday night in the railway station and you will see them arriving en masse. Mostly young females from Dublin, weekend bags, discreet at first, but by Saturday night many of them will be wearing halos and angel wings, kneeling on John Street, calling out the name of The Lord. Some of these young women are so quickly filled with the Holy Spirit, they practically choke on the lemon wedges, and, come four in the morning, the scenes on hotel staircases are reminiscent of tough times on Croagh Patrick: pilgrims ascending unsteadily, high-heeled shoes in hand, a veritable rapture of rumpled miniskirts and torn tights.
The history of the modern novena goes all the way back to the late 1960's. Seamus Kennedy, from Carlow town, is often credited with leading the first public display. Seamus, a graduate of Maynooth College, found himself a young deacon in Sullivan County, upstate New York in the Summer of 1969. Rumours started circulating about an impending celebration of peace and spirituality so, on the third weekend in August, Seamus packed his sandwiches and rosary beads and headed off for the Woodstock festival.
Shock. Seamus suffered serious shock: A teeming mass of humanity and not a single priest in sight; things were bound to get out of hand. Long hair, music and a strange herbal smell all around. Women doing awkward dances, hands pawing the air like spiders trapped in their own webs. Men with thick beards and bodies coated in mud calling him "man", as if the matter of his gender needed to be reinforced by constant repetition. Somebody offered him a ’drag’ on a hand rolled cigarette; another person suggested he swallow a sugar cube. Disoriented and confused, he accepted both.
The music grew louder. Shapes became colours. Unusual sensations filled his entire body. He was a long, long way from the seminary. He edged towards the front of the crowd, pushing past a cluster of dangerous looking men, their satanic origins stencilled on the backs of their black leather jackets: “Hell’s Angels”. One of them turned and gave him a hard stare.
“Be cool, man”. Seamus said, not quite certain where his dialogue was coming from.
On the stage, a black man wrestled with a wailing guitar. The instrument became a twisting serpent; the serpent devoured the speeding fingers in an electric fury of quavering pulsations that turned into heavy liquid and dripped from the speakers like golden treacle.
Seamus was overwhelmed. He dropped to the ground and made the sign of the cross. Upon seeing this, others around him did likewise and it was not long before half the crowd gathered on Max Yasgur’s farm was down on blended knee.
“Hail Mary full of grace...” Seamus called out.
“The Lord is with thee...” The crowd responded, and the words drifted on the hot summer breeze.
On stage, Jimi Hendrix, surprised by this vocal activity, seemed to lose musical focus. His rendition of The Star Spangled Banner turned into a confused mess of ruptured chords. He shook his guitar and twisted the tremolo arm completely out of shape. He amped up the volume but to no avail. What was meant as a jolt of political irony, at the height of the Vietnam War, was drowned out by a Carlow man and three hundred thousand hippies chanting, “Blessed art thou amongst women...”
For a lot of people, Seamus Kennedy’s soulful prayer was the high point of their Woodstock experience, and even Jimi Hendrix was moved to write his own tribute to Seamus, a song that rock devotees will know as ’The Wind Cries Mary’.
There have been reports that Seamus might show up at the Kilkenny novena sometime over the next nine days; his Volkswagen camper van was spotted around town, pungent smoke billowing from the open window. A man answering his description was seen in a local nightspot just a few hours ago, making peace signs and telling everybody to "Be cool". Surrounded by girls from the Dublin train, some of them wearing halos and some of them wearing horns, he was teaching them how to dance like a spider trapped in a web.